Bit rate, sample rate, CD-quality audio, hi-res… there are so many audio terms that confuse even the best. If you are one of those who can relate to this, you’re in the right place. We’ve put together this guide to help you understand sample rate, bit depth and bit rate, so let’s dive right in!
Sound is created via pressure in the airwaves. These waves cause further vibrations when it comes in contact with a diaphragm (such as the one you’ll find in a mic). These vibrations cause an electrical signal that is further boosted with a pre-amplifier and is ultimately recorded in a digital file.
A digital signal consists of 1’s and 0’s in the form of samples. This sampled information is stored in the form of bits. A typical digital recording has 44,100 samples per second while some (extremely high-quality) recordings can have up to 96,000 samples per second. CD-quality audio is generally available in 16 bits while Hi-Res audio files are available in 24-bit files.
Many audio engineers prefer recording in 24 bits as the extra information allows for more headroom when editing. This extra headroom also allows them to clip away unneeded frequencies and noise.
With so much audio information packed into a file, its size is bound to be HUGE. If you plan on storing such files on your phone, you’ll need a massive 20.7GB SDcard just to store a hundred 3-minute songs recorded in 192kHz/24bit (approx). Also, limited bandwidth makes online music streaming services cap the bit rate at 320kbps.
Another reason for compressing files is the limited number of file formats that most operating systems can play. Most devices are unable to play PCM (Pulse Code Modulation) file formats and need a more known/compressed file format to recognise it. PCM files are the industry standard for storing analogue waves in a digital format and its quality is represented in terms of sample rate and bit depth.
When you watch a movie, you are essentially watching multiple images played in quick succession to give you a feeling of movement. Faster the transition between the images, the more smoother the video seems. A sample rate works similar to this. Put simply, it is the rate at which is audio is sampled or captured and specifies the number of frequencies in a particular file. Higher the sample rate, more precise is the audio playback.
Sample rates are written based on the samples (or sound data) that are gathered per period of time. CD-quality audio has a sample rate of 44,100 or 44.1kHz.
Remember the 1’s and 0’s we spoke about? Well, these are known as bits. The number of bits determines the amount of audio information that can be stored. This is known as bit depth. Even if you aren’t a maths geek, the equation is quite simple: More bit depth = More audio information.
For example, a 16-bit CD file recording can store up to 65,536 levels of information while a 24-bit hi-res recording can store up to 1,67,77,216 levels of information.
While the bit depth determines how much information is stored, the bit rate (or bitrate) decides how much information is processed within a given period of time. It works similar to sample rate except that it counts bits instead of samples. Why is this so important? Well, higher the number of bits per second, better the audio quality and the track representing the original recording.
Getting a high-resolution audio file is only the start. To truly feel all the details in your audio, you’ll a DAC & wired headphone that supports it.